Indie rock buried in fuzz and hiss. Iran take ultra catchy pop, and drag it through the detritus of lo-fi noise rock, picking up an ungodly assortment of buzz and blur and scuzz. Huge and slowly shifting, dronescapes that evolve into perfect little pop songs and then explode into jagged shards of high end skree. Iran are psychedelic and textural and noisey and totally catchy. Add an unhealthy obsession with Brian Wilson, Roman Polanski, indie rock, and Norwegian black metal, a handful of disasterously deafening live shows, and a charmingly fractured obstinance, and you’ve got Iran.
Iran to Release Third Album Dissolver
Fans of experimental noise-popsters Iran know that seeing them is even rarer than catching a glimpse of the reclusive Jeff Mangum, but those fans will soon have cause to celebrate. Sort of. The quartet of singer/multi-instrumentalist Aaron Aites, guitarist Kyp Malone , guitarist/bassist Peter Hoffman (The Mendoza Line), and guitarist Aaron Romanello (Grand Mal), are planning to release an as-yet untitled album sometime this year. Produced by David Andrew Sitek , the album was recorded at Gigantic Studios in Tribeca and will be released through Narnack Records. Speaking with Pitchfork by phone last Friday, Aites described the new album as “very hi-fi”, and “more structured” and “fully fleshed out” than their previous two outings, Iran and The Moon Boys. He also said it’s more lyric-based (in the vein of The Moon Boys), with material sounding “louder and grimmer.”